If you record audio, a pop filter is going to be one of your most important secret weapons.
The little pressure waves that you emit when speaking words like party, pop, pepper or platypus hit the membrane of the microphone like little explosions. That's why they are called plosives and you really want to avoid them.
One way to keep them from hitting the membrane is to use a pop filter, which is a contraption covered in two layers of thin mesh that you can put between your mouth and your microphone. When I started out recording, I used a wire coat hanger and pantyhoseto build my own.
Unfortunately most commercial pop filters are either bulky, or heavy, or both. You typically attach them to the microphone stand on one side, and then move the other side that's connected via a gooseneck in front of the microphone.
If you're on the road a lot, that will add a lot of bulk.
I am on the road a lot and I don't want to carry more than I need to.
Which is why I spent some time researching pop filters.
And that's when I found about the CharterOak PF-1, a hand-made pop filter that is lightweight, small and very effective. It attaches directly to the microphone with a strap of velcro, so you won't have to worry about carrying a heavy clamp or a gooseneck, and they use the Acoustex fiber mesh by SaatiTech, which I find is very effective in killing the plosives and which seems to leave the sound pretty much uncolored.
I'm not affiliated with CharterOak, but I've fallen in love with their PF-1 pop filter. If you're planning to make your peppers and platypusses sound better, I highly recomment you take a very close look at the CharterOak PF-1.